In its opening paragraphs, Bird
seems to lay all of its cards on the table. On the day Jewel Campbell
was born, her 4-year-old brother John, nicknamed “Bird” by their
Grandpa, died jumping off a cliff, trying to fly like his namesake.
Since that day, Grandpa has not spoken a word, not for all of Jewel’s
twelve years.
We all know
what’s going to happen. In the end, Jewel will somehow come to peace
with the shadow of Bird’s death. Along the way, there will be
coming-of-age tears and anger and confusion and guilt. Grandpa will
speak. There will be a boy. (It says so on the dust jacket!) We’ve
read books like this before. But Bird turns out to have many
more cards to play, enough to erode my confidence in where the book was
going. I found myself continually changing my expectations as I read to
the very end.
Cynthia Kadohata wrote one of Bird’s back cover blurbs. As with Kadohata’s The Thing About Luck, I think what readers may find most distinguished about Bird is
the portrayal of older characters of cultural heritage from outside the United States. Jewel’s father and Grandpa are Jamaican, while her mother is
half-white, half-Mexican. It was particularly striking to find
thought-out adult characters that many readers might find superstitious
to the extreme.
I think Chan’s writing is not yet as assured as
Kadohata’s, my biggest reservation being the inconsistent voice of the
first-person narrator. In just the first pages we get sentences that
seem like they could have come from completely different novels:
authorly bits (“I watch the moon arc through the sky and listen to the
whirring of the crickets or the rustling of the oak leaves or the hollow
calls of the owl”) quickly followed by folksy familiarity (“Now in my
small town of Caledonia, Iowa, we have one grocery store with one
cashier, named Susie. . . Things here are as stable as the earth, and
that’s how folks seem to like it”), followed immediately by precocious
observation (“that’s one of the things about adults: The most important
rules to keep are the ones they never tell you”). In the end, because
of Jewel’s uncertain voice and the fact that it’s hard to love a book
that has so much hurt in it, I think it unlikely Bird will become a consensus Newbery frontrunner the way The Thing About Luck did.
*******
Today's guest reviewer is Leonard Kim. Leonard is not a librarian, though his all-time favorite job was working in a
library during grad school. He is the father of three kids, ages 4-11,
and has greatly enjoyed immersing himself in their literature.
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